Aguirre, Mariana, 1977-2022 (Nombre personal)

Pensar Internet, 2017: t.p. (Mariana Aguirre)

Historia del arte y estudios de cultura visual, 2020: title page (Mariana Aguirre)

International yearbook of futurism Studies. Volume 7, 2017: title page (Mariana Aguirre)

Instituto de Investigaciones Estéticas, viewed april 25, 2017 (Mariana Aguirre, es historiadora del arte y docente en varias universidades) http://www.esteticas.unam.mx/mariana_aguirre

IIE, UNAM, www, 22 september, 2024 (Mariana Aguirre (1977-2022) was a brilliant historian of artistic modernity, in addition to being part of the critical activity of contemporary art circuits. In 1999 she completed her B.A. at Bryn Mawr College (Pennsylvania), cum laude. He received his Ph.D. from Brown University (Rhode Island) in 2008, after obtaining his M.F.A. from the same institution in 2002. He has taught at several universities in the United States: Sewanee (The University of the South), Eastern Connecticut State University, and Middle Tennessee State University. He received grants from the Fulbright and Mellon Foundations, the Social Science Research Council, and the Secretaría de Cultura del Estado de Jalisco.) https://www.esteticas.unam.mx/mariana_aguirre

Humanindex, UNAM, www, 20 september 2024 (Dra. Mariana Georgina Aguirre. Mariana Aguirre is an art historian. She received her Ph.D. from Brown University in 2008, after earning her M.A. from Brown University in 2002.) https://www.humanindex.unam.mx/humanindex/pagina/pagina_inicio.php?rfc=QVVNQTc3MDkwMg==

Her worked focused, on the one hand, on art and visual culture during Italian fascism and its reception of French modernism (focusing on the works of Ardengo Soffici and Giorgio Morandi, specifically on their creation of a ruralist current influenced by Paul Cézanne and the Trecento and Quattrocento-Florentino) and, on the other hand, on modern primitivism, analyzing the appropriation of African sculpture about European painting, sculpture and photography, especially in the Italian case. Mariana Aguirre sought to examine the influence of African art on artists such as Filippo Tomasso Marinetti, Carlo Carrà, Ardengo Soffici, Amedeo Modigliani, and Mario Sironi, as well as its intersection with colonial propaganda, racism, and ethnography during the Fascist regime. At the time of his death, he was developing the research project "Primitive Pages: fascism, painting, and avant-garde magazines".